![]() P.S.: I was quite pleased to notice that one of the samples of Myriad Arabic in action was bilingual versions of three poems by Maram al-Massri (with English translation by Khaled al-Mattawa) that had been published by Copper Canyon Press, an excellent international poetry publisher for whom I have done a lot of book design in the past. Not to mention the fraught question of what it means to have an “italic” in either Hebrew or Arabic, neither of which has any such tradition before the digital age. And about the quixotic and sometimes contradictory nature of designing “sans serif” typefaces in either script. I should be quite clear: I can neither read nor write either Hebrew or Arabic, although I’ve learned quite a lot about the design of typefaces in both scripts. ![]() Mamoun, along with his software-coding daughter Aida, had been expanding my knowledge of Arabic for some time Scott I met through this project, and have been learning from quite happily ever since. ![]() The latter pair gave me an excuse to engage the considerable knowledge and expertise of Scott-Martin Kosofsky, a typographer of fine sensibilities and an expert in bilingual Hebrew/English publishing, and Mamoun Sakkal, an expert in Arabic type design with a particular penchant for the style known as square kufic (though this is not, actually, the tradition that the Myriad Arabic extension draws on) and a friend who, happily, lives in the Seattle area. The project gave me an opportunity to delve into the history of the inscription on the Trajan column in Rome (which, almost every time I’ve tried to take a close look at it, was chiuso per restauro and wrapped in a blue plastic tarp), and an even more interesting chance to learn about the design of both Hebrew and Arabic typefaces. All of them are additions to existing type families: two derive from Trajan ( Trajan Pro 3, which extends both the number of weights and the language coverage, and the new Trajan Sans) and two from Myriad ( Hebrew and Arabic versions of this widespread humanist sans). It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. Download it now for free online.Last year I wrote the texts for four new digital specimen books for extensions to Adobe Originals typefaces, and just last week Adobe posted those specimens online. Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. If you need a striking, serious, historical, clean font with strength and character, do not hesitate to use this font for your projects, as it is a typeface that will be obvious from the first moment you project it on your work or designs. The reason is because it has become, over the years, one of the sources that has had the greatest impact in the world of cinema. The Trajan font has become one of the most used and downloaded fonts on the internet. Apollo 13įor those who are most passionate about the world of the universe, planets and spaceships, the turn of Apollo 13 has come, one of the movies based on real events, which shows all the details about the creation of the Apollo spacecraft and how it took off and successfully reached the moon.Ī film of these characteristics can only be accompanied by a good typography to frame it, therefore, it is necessary to highlight the use of the trajan font for this type of film or occasion, where all the elements come together, and where each and every one of they count. And you don't expect a good font to be present in a good movie, since it is a typeface that denotes elegance and maturity, so it can be present on numerous occasions and above all, it can be the main voice, which gives a touch of attention as is the case of black swan, another of the films with the greatest impact in the world of cinema. It is another of the films that has won the Oscar for choosing the right typography on its film cover. So it is not expected that this font was chosen as the main graphic element, and as an icon to represent the naming of the film.Ī film that, as we have highlighted, has a long history and has managed to excite thousands and thousands of viewers. It became one of the best movies based on real events to date., of all the transition and extensive list of films. Undoubtedly, the Tarjan typeface has lived hidden for many years behind one of the most famous posters in film history, Titanic.
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